Burnham spent his teen years doing theater and songwriting, which led to his first viral video on YouTube a song he now likely categorizes as "offensive.". And while its an ominous portrait of the isolation of the pandemic, theres hope in its existence: Written, designed and shot by Burnham over the last year inside a single room, it illustrates that theres no greater inspiration than limitations. According to the special, Bo decided he was ready to begin doing stand-up again in January 2020, after dealing with panic attacks onstage during his previous tour, the Make Happy Tour of 2015-2016. Like most of Burnhams specials, it includes comedic songs and creative lighting effects. The whole song ping pongs between Burnham's singing character describing a very surface-level, pleasant definition of the world functioning as a cohesive ecosystem and his puppet, Socko, saying that the truth is the world functions at a much darker level of power imbalance and oppression. The vocal key used in "All Eyes On Me" could be meant to represent depression, an outside force that is rather adept at convincing our minds to simply stay in bed, to not care, and to not try anymore. "You say the whole world's ending, honey it already did, you're not gonna slow it, heaven knows you tried. He's showing us how terrifying it can be to present something you've made to the world, or to hear laughter from an audience when what you were hoping for was a genuine connection. It also seems noteworthy that this is one of the only sketches in "Inside" that fades to black. He points it at himself as he sways, singing again: Get your fuckin hands up / Get on out of your seat / All eyes on me, all eyes on me.. The song's melody is oddly soothing, and the lyrics are a sly manifestation of the way depression convinces you to stay in its abyss ("It's almost over, it's just begun. Not putting a name on parasocial relationships makes the theme less didactic, more blurred while still being astutesuch sharp focus on the eyes, you dont notice the rest of the face fades into shades of blue. The song's melody is oddly soothing, and the lyrics are a sly manifestation of the way depression convinces you to stay in its abyss ("It's almost over, it's just begun. He takes a break in the song to talk about how he was having panic attacks on stage while touring the "Make Happy" special, and so he decided to stop doing live shows. Bo Burnham "You say the ocean's rising, like I give a s---," he sings. At just 20 years old, Burnham was a guest alongside Judd Apatow, Marc Maron, Ray Romano, and Garry Shandling. Burnham spoofs a PewDiePie-like figure a YouTuber who narrates his playing of a video game with a dead-eyed smugness, as shown in an image at the bottom-right corner of the screen. Burnhams online success and an awareness of what kind of his audiences perceived closeness made the comedian key to one of the most prominent discussions in a creator- and influencer-driven era of media: the idea of parasocial relationships. The tension between creator and audience is a prominent theme in Burnhams work, likely because he got his start on YouTube. The arrogance is taught or it was cultivated. A college student navigates life and school while dealing with a unique predicament he's living with a beautiful former K-pop sensation. Inside doesnt give clear answers like parasocial relationships good or parasocial relationships bad, because those answers do not, and cannot, exist. "Got it? In White Womans Instagram, the comedian assumes the role of a white woman and sings a list of common white lady Instagram posts (Latte foam art / Tiny pumpkins / Fuzzy, comfy socks) while acting out even more cliched photos in the video with wild accuracy. The song begins with a fade in from back, the shot painfully close to Burnhams face as he looks off to the side. But now Burnham is showing us the clutter of the room where "Inside" was filmed. Inside, a new Netflix special written, performed, directed, shot, and edited by comedian Bo Burnham, invokes and plays with many forms. It chronicles Burnhams life during the pandemic and his journey creating the special. Its called INSIDE, and it will undoubtedly strike your hearts forevermore. The lead-in is Burnham thanking a nonexistent audience for being there with him for the last year. According to a May 2021 Slate article, the piece was filmed at Bo Burnhams Los Angeles guest housethe same room used for June 2016s Are You Happy? and the closing shots of the Make Happy special. That YouTube commenter might be understood by Burnham if they were to meet him. "I was in a full body sweat, so I didn't hear most of that," Burnham said after the clip played. . The clearest inspiration is Merle Traviss 16 Tons, a song about the unethical working conditions of coal miners also used in weird Tom Hanks film Joe vs. Underneath the Steve Martin-like formal trickery has always beaten the heaving heart of a flamboyantly dramatic theater kid. Oops. of the internet, welcoming everyone with a decadent menu of options while disco lights twirl. Burnham reacts to his reaction to his reaction to his reaction, focusing so intently on his body and image that he panics, stops the videoand then smiles at his audience, thanking them for watching. Well, well, buddy you found it, now come out with your hands up we've got you surrounded.". Copyright 2021 NPR. By inserting that Twitch character in this earlier scene, Burnham was seemingly giving a peek into his daily routine. Most sources discuss fictional characters, news anchors, childrens show hosts, or celebrity culture as a whole. There's also another little joke baked into this bit, because the game is made by a company called SSRI interactive the most common form of antidepressant drugs are called selective serotonin reuptake inhibitors, aka SSRIs. The hustle to be a working artist usually means delivering an unending churn of content curated specifically for the demands of an audience that can tell you directly why they are upset with you because they did not actually like the content you gave them, and then they can take away some of your revenue for it. The special is hitting an emotional climax as Burnham shows us both intense anger and then immediately after, a deep and dark sadness. Burnham can't get through his words in the update as he admits he's been working on the special much longer than he'd anticipated. His career evolved through YouTube, MTV, Vine, his movie "Eighth Grade," and now Netflix's "Inside." Under the TV section, he has "adults playing twister" (something he referenced in "Make Happy" when he said that celebrity lip-syncing battles were the "end of culture") and "9 season love letter to corporate labor" (which is likely referencing "The Office"). "A part of me loves you, part of me hates you," he sang to the crowd. All Eyes on Me also earned Bo his first Grammy win for Best Song Written for Visual Media at the 2022 Grammys. LINDA HOLMES, BYLINE: Thank you, Michel. I like this song, Burnham says, before pointing out the the lack of modern songs about labor exploitation. Linda Holmes, welcome. When we see it again towards the end of the special, it's from a new camera angle. WebBo Burnham's Netflix special "Inside" features 20 new original songs. Then, the video keeps going past the runtime of the song and into that reaction itself. Remember how Burnham's older, more-bearded self popped up at the beginning of "Inside" when we were watching footage of him setting up the cameras and lighting? But look, I made you some content. Fifteen years later, Burnham found himself sheltering in place during the COVID-19 pandemic and decided to sit back down at his piano and see if he could once again entertain the world from the claustrophobic confines of a single room. Inside is a tricky work that for all its boundary-crossing remains in the end a comedy in the spirit of neurotic, self-loathing stand-up. It's full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. Its a visual that signifies a man exposing himself, until you realize hes in a spotlight. But then the music tells the audience that "he meant to play the track again" and that "art's still a lie, nothing's still real.". Perform everything to each other, all the time for no reason. Audiences who might not read a 1956 essay by researchers about news anchors still see much of the same discussion in Inside. Burnham was just 16 years old when he wrote a parody song ("My Whole Family") and filmed himself performing it in his bedroom. In his new Netflix special, Inside, Bo Burnham sings about trying to be funny while stuck in a room. As energetic as the song "S---" is, it's really just another clear message about the mental disorder that has its grips in Burnham (or at least the version of him we're seeing in this special). And the very format of it, as I said, it's very much this kind of sinister figure trying to get you interested. Poioumenon (from the Greek word for "product") is a term created by author Alastair Fowler and usually used to refer to a kind of metafiction. The song, written in 2006, is about how his whole family thinks he's gay, and the various conversations they're having trying to figure it out. But in recent years, theres been enough awareness of online behavior to see how parasocial relationships can have negative impacts on both the creator and the audience if left uninterrogated by both parties. WebOn a budget. Bo Burnham's new Netflix comedy special "Inside" is jam-packed with references to his previous work. Bo Burnham: Inside, was written, edited, and directed by the talent himself and the entire show is shot in one room. After more sung repetitions of get your fuckin hands up, Burnham says, Get up. Bo Burnham: Inside Exploring mental health decline over 2020, the constant challenges our world faces, and the struggles of life itself, Bo Burnham creates a wonderful masterpiece to explain each of these, both from general view and personal experience. It's a heartbreaking chiding coming from his own distorted voice, as if he's shaming himself for sinking back into that mental state. Just as often, Burnhams shot sequencing plays against the meaning of a song, like when he breaks out a glamorous split screen to complement a comic song about FaceTiming with his mom. Later in Inside, Burnham thanks the audience for their support while holding them at knifepoint. His virtuosic new special, Inside (on Netflix), pushes this trend further, so far that it feels as if he has created something entirely new and unlikely, both sweepingly cinematic and claustrophobically intimate, a Zeitgeist-chasing musical comedy made alone to an audience of no one. In the song Problematic, Burnham sings about his past problematic behavior, asking the audience, Isnt anyone going to hold me accountable? The specials intermission looks like a clear view into Burnhams room, until Burnham washes a window between himself and the viewer an explicit, but invisible, boundary between creator and audience. But Burnham is of course the writer, director, editor, and star of this show. "This show is called 'what.,' and I hope there are some surprises for you," he says as he goes to set down the water bottle. Thematically, it deals with the events of 2020, rising wealth inequality, racial injustice, isolation, mental health, social media, and technologys role in our lives. Inside Burnham skewers himself as a virtue-signaling ally with a white-savior complex, a bully and an egoist who draws a Venn diagram and locates himself in the overlap between Weird Al and Malcolm X.
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